The Gallows, Resurrection Men . . . and Dancing

A special Halloween reposting from 2 years ago. For the background of this piece start here.

                                         

THE GALLOWS BALL.

"The negroes came in immense numbers. It was a gala day for them, and they were all in a holiday attire. The field in which the men were hanged looked like a country fair. Booths were erected. An enterprising Yankee had a side show and educated pig, and itinerant musicians enlivened the occasion. After the hanging the crowds of whites went away, but the negroes hung about the field and around the shallow graves of the felons until dark. They had determined to have a ball, but according to some superstition among them it could not begin until after the midnight hour. A large barn in the field was swept clean by hundreds of willing hands. At 12 o'clock it was crowded. 

On a small stage in a corner the stand for the musicians was placed, which was occupied by four banjo players and one fiddle. In the middle of the room was another stand, upon which the man who called out the figures stood. It was a weird scene. Boys stood in the corners of the room with pine knot torches, which filled the place with smoke, and made a murky light.

At 12:15 the festivities began. Peter Johnson, a burly tobacco hand, occupied the stand in the middle of the room, and sang out in stentorian voice: "Choose your partners." The strangely made up orchestra struck up "The Mississippi Sawyer," a wild Ethiopian air, and the dancing began. As the music went on, the musicians and dances grew wild and wilder, until they shouted and sang as though possessed by the devil. Such exclamations as "I could die dis moment" "Oh, Lord, how happy I is" and the like were heard, especially from the women. At about two o'clock Lucinda Macon, an old voudou(sic) negress, suddenly made her appearance in the barn. The musicians and dancers stopped in terror. The old hag slipped into the middle of the room, and then began a series of strange incantation scenes. The "trick" doctress* was dressed in an old blue and white checkered dress, and had in. her hand a large bundle, tied up in a red handkerchief. She opened it, and after muttering a lot of gibberish, in what the negroes say here was an African dialect, she said she had the rope with which the man were banged, and that after she had touched any bit of it that piece would secure the possessor against the evil designs of any person who tricked them or poisoned them. She cut it up in small bits, and over each bit she muttered and sprinkled something from an old jog, and then she sold it for fifty cents. The rush for these pieces of rope was great. The men fought for them.

This ceremony was kept up until 2:30 a.m. The rope did not go around, and when this became known those who did not get a piece acted like fiends, and begged the hag for a thread only. She told them that nothing else would effect the charm except small particles of the clothing in which the men were buried. A large party then started off to. the grave underneath the gallows, for the purpose of disinterring the bodies and bringing back the garments. They soon returned in horror to the ball room, swearing that they had seen the two men who were hanged walking around the grave. The hag added to the excitement by declaring at the top of her voice, singing cut the words, that Smith and Christian had not died, because she had given them a charm. The secret is, that the visit of the dancers to the grave frightened off two resurrectionists who were after the bodies for the doctors. The dancing and singing were kept up until 5 o'clock. It was announced by the voudou doctress that all who danced at the gallows ball would be able to dance as long as they lived, no matter if they lived to be ninety one"

-Shepherdstown Register (West Virginia), April 05, 1879

* hoodoo man or conjurer

For more information on the believed magical properties of the accoutrements of the gallows I suggest,  Executing Magic in the Modern Era: Criminal Bodies and the Gallows in Popular Medicine by Owen Davies and Francesca Matteoni.

As for the carnival nature of the public execution, there is The Hanging Tree: Execution and the English People 1770-1868 by V. A. C. Gatrell and "The Execution Spectacle and State Legitimacy: The Changing Nature of the American Execution Audience, 1833-1937" by Annulla Linders in Law & Society Review.