Young Martha Dandridge Custis

Young Martha Dandridge Custis

Friday, August 2, 2024

The "Cross-House" in New Kent Pt II

 Today some more from Henry Chandlee Forman on the "Cross-house" in Virginia


The last or culminating development in the rural dwelling was the changing of a "hall-and-parlor" habitation, or one of "central-passage" variety, into a "cross-house." The cross was formed by adding an enclosed porch, usually with a "porch chamber" above it, on the front façade, and a wing, like a stair tower, to the rear. However, a "T"-shaped domicile, with no back wing, is also classified as a "cross-house." An old record tells of one Southey Littleton, of Accomack, who had a porch and porch chamber on the front of his dwelling—in other words, a cross-house. Of the extant or partially extant examples in Virginia are "Bacon's Castle" (c. 1650), Surry County; "Malvern Hill" (c. 1662), Henrico County; and "Christ's Cross" (c. 1690) and "Foster's Castle," (c. 1685) both in New Kent. They make a veritable school of building which once must have flourished the length and breadth of tidewater Virginia. With its noted "Bond Castle," Maryland, too, had a school of cross-houses.

Of the Virginia examples, "Bacon's Castle," two-storeys-and-garret high, with basement, was built by one Arthur Allen, and was named for the rebel, Nathaniel Bacon, who in 1676 ordered his men to capture the dwelling. "Castle" meant "fort." Its cross-plan incorporated a porch, porch chamber, and stair tower. A low, wooden, curtain and kitchen extension, which is believed to have been seventeenth century in date, formerly stood off the gable on the "Hall" side—an arrangement indicating that the Great Room perhaps also served as a dining room. The curtain was the buttery, or bottlery.

But the most distinguishing feature of "Bacon's Castle" is the Jacobean "curvilinear" gable at each end. These gables possess round members—"cuspings"—and steps, built pretty much the same way in which they were made in England and the Low Countries. The chimney stacks are Tudor, three in number, set diagonally on their bases at each gable. Because of the way these chimneys look in plan, we call them "diamond stacks."

Also Jacobean are the crude brick pediment over the main entrance, now much changed, and the brick borders surrounding the windows—called "enframements." And of course, the windows formerly held leaded casements, with mullions and transom bars.

Two important features of another of the cross-houses mentioned belong to "Christ's Cross," called for short, "Criss Cross." This writer can remember when there was hardly a person who knew of the existence of this place, and where it was located. The double door opening out into the enclosed porch from the "Hall" we have denoted as the "finest Tudor door in all Virginia"—because of its panel design and Gothic mouldings; and the post in the "Hall" has probably the finest Jacobean carved capital in the United States. The capital is in truth a folk Jacobean carving, a grotesque, comprising a raised heart-shaped shield with crudely[43] chiselled volutes upon it, and an "echinus" or cushion, and an "abacus" or block above it. It reminds one of the ancient Greek Ionic wooden capitals in Athens, Asia Minor, or elsewhere, which possessed rough or incipient volutes.



Study of the cross-house in Virginia needs an essay to itself. We have tried here to give some of the highlights of this last development of the rural dwelling, which is outstandingly medieval in design and construction—with a bit here and there of Jacobean trimming.


Virginia Architecture in The Seventeenth Century, Henry Chandlee Forman Ph.D. (Fine Arts), A.I.A. 1957 With Drawings and Photographs By The Author 

 

 

 

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